Search: Starring Lambert Wilson

The interplay of the spiritual and the sensual is vital here.

Catwoman is a hybrid of superhero/romance, with a feminist touch.

The film sets up an interesting situation, like the pilot of a TV series, and then leaves you, as it were, at the beginning.

Small-town prejudice and the fear of otherness are roundly exposed for their absurdity, but the sensitivity of the artistic disposition and even the importance of good dental care are also sensibly celebrated.

The film boasts at least one lovely switcheroo plot twist.

This is a mood piece.

The second in the trilogy is less innovative and more windy in the speechifying department.

The Matrix Trilogy began with such energy and originality... now it seems more like an expensive video game.

This is almost pure wish fulfilment fantasy, but it’s delivered with confidence and style.

The tension between Philippe and his dad ultimately drives the film in ways that lead Salle to cut corners with other characters and leave it caught in the doldrums when Niney is absent.

Beautiful imagery and subtle acting sustain it well, but still the pace will be too slow for many.

The twisting narrative is rendered skilfully so that it is easy to follow even as allegiences and alliances shift, and there is plenty of space to revel in the complexity of the characters.

In clumsier hands this might have been yet another flimsy drama about a group of people longing for romance, but Alain Resnais' astute handling gradually illuminates those human interiors and shows us much more going on.

Raising Colors treads on unfashionable grounds and emerges victorious.

Push the plot too hard and it collapses. Best to sit back and do what you do with James Bond. If nothing else, the locations are breathtaking.

The film looks right but feels strangely familiar

Proof that when you combine a great premise and a talented director, you don't necessarily strike gold.